AN ALGORITHM THAT TURNS THE LATEST MEDIA HEADLINES INTO ARTISTIC CONCEPTS.
In the age of hyperconnectivity, the perverse implications of media echo
chambers are becoming more and more obvious. Groups of similar behaviors
are being partitioned in filter bubbles, while the few massively reposted
topics tends to monopolize most of the available attention. Such insular
echo chambers strongly affect ways of thinking, resulting in increasingly
homogeneous imaginaries within groups of like-minded people.
Predictive Art Bot caricatures the predictability of media influenced
artistic concepts, by automating and skirting the human creative process.
But beyond mere automation, it aims to stimulate unbridled, counter-intuitive
and even disconcerting associations of ideas.
To do so, it continually monitors emerging trends among the most influential
news sources in fields as heterogeneous as politics, environment, innovation,
culture, activism, or health... On this basis, it identifies and combines
keywords to generate concepts of artworks in a fully automated way, ranging
from unreasonable to prophetic through absurd. Each prediction becomes a
thought experiment waiting to be incubated, misused or appropriated by a
human host.
Solo exhibition DISNOVATION.ORG, Stereolux, Nantes, FR 2017
"Predictive Art Bot is an algorithm that uses current discourse as a basis
to create concepts for artistic projects and, at times, prophesize absurd
future trajectories for art. Algorithms are now widely used in different fields to make predictions using
data analysis, statistical analysis, and pattern recognition for applications
including the purchasing behavior of particular groups, global market
developments and even potential crimes.
In contrast, the Predictive Art Bot is a specialist in making art forecasts, published daily on Twitter, which
are meant to expand the limited human imagination with new, non-human
perspectives. As a parody of transhumanist prophecies, the Predictive Art Bot liberates
artists from the constraints of creativity and develops ideas not yet implemented
or conceived by humans." — Inke Arns
Predictive Art Bot - V4 - Online Version - 2018
Snapshots, Work in progress, 2017-2018
"Predictive Art Bot plays with a convergent future in which there will be no difference between people and machines –
the dark vision of Ray Kurzweil and his colleagues at the Singularity University.
This vision has a long heritage –
in the earlier part of the 20th century, Lacan and the surrealists played with automatic writing and possible non-human futures;
in the 1950s the cyberneticians and futurists experimented with creative or expressive automata.
Raymond Queneau to my knowledge created the first algorithmic poetry – his 100,000,000,000,000 sonnets.
Today, the algorithm seems to be winning the day: our lives, purchases and political and cultural views seem increasingly
governed by what Facebook, Google and Amazon algorithms have decided not about who we are, but who our domesticated future selves will be.
Where is the role here for the new perspective, the artistic insight.
In the deeply ironic Predictive Art Bot, Disnovation produces a work which is at once an inspirational conceptual feed for future artistic tropes
and a commentary on the vacuity of trusting our very selves to algorithmic culture." — Geoffrey Bowker
Latest tweets by @predartbot
Predictive Art Bot - V2 - LED Fan Version - 2016-2017
Video documentation, Transmediale, HKW, Berlin, DE 2017
Exhibition, Transmediale, HKW, Berlin, DE 2017
Exhibition, The World Without Us, Ljubljana [SLO] 2017
Exhibited at:
DA Fest, Automatic Gallery, Sofia, 2025 [RO]
Coder Le Monde, Centre Pompidou, Paris, 2018 [FR]
Open Codes, ZKM, Karlsruhe, 2018 [DE]
Robot Love, Eindhoven, NL, 2018 [NL]
The Gray Area Festival, San Francisco, 2018 [USA]
HeK net based award, Online - Basel, 2018 [CH]
MetaDada, Berlin, 2018 [DE]
Museum L, Louvain-la-Neuve, 2018 (BE)
EP7, Paris, 2018 (FR)
Transmediale, Berlin, 2017 [DE]
The World Without Us, Aksioma, Ljubljana, 2017 [SLO]
The World Without Us, Mali salon Gallery, Rijeka, 2017 [HR]
PatchLab, Krakow, 2017 [PL]
TodaysArt, The Hague, 2017 [NL]
Seconde Nature, Aix-En-Provence, 2017 [FR]
Mapping Festival, Geneva, 2017 [CH]
Stereolux, Nantes, 2017 [FR]
Nemo, Paris, 2017 [FR]
Electrochoc, Tokyo, 2017 [JP]
Haunted by algorithms, Galerie Ygrec, Paris, 2017 [FR]
Arts Santa Mònica, Barcelona, 2016 [ES]
Pavillon Vendôme, Clichy, 2015 [FR]